My sculptural practice begins with a sustained interest in transformation—how materials such as clay and wood shift, carry memory, and take on new form through touch and process. In my ceramic work, this inquiry unfolds through the idea of “drawing in space,” inspired by the work of Gego (Gertrud Goldschmidt), who extended the line beyond the page into three dimensions. Working with hand-built clay, I translate this lineage into forms that emphasize gesture, rhythm, and surface. Clay’s malleability allows each piece to grow through accumulation and adjustment, guided by both intention and response. Circular and cellular shapes often emerge—recalling seed pods, spores, nests, and ripples—quietly pointing to cycles of transformation embedded in both material and environment. Glaze and firing complete this shift, fixing what was once soft and responsive into something enduring, while still holding the trace of its making.