My abstract drawings and collages serve both as studies and as independent works of art, mapping patterns found in plants, landscapes, and ecological systems. I often works through a layered process that includes suminagashi and allowing pigments to bleed into the paper, with water and fluidity shaping the compositions. This watery, unpredictable quality echoes the transformation of clay itself—from pliable earth to hardened form. Just as my ceramics embody the act of drawing in space, my works on paper translate material and process into imagery that balances structure and spontaneity.