At the heart of my ceramics is my concept of “drawing in space.” This idea gathers direct inspiration from German-Venezuelan artist Gego (Gertrud Goldschmidt), who redefined drawing by extending the line beyond the page into three-dimensional form. I build on this lineage by translating the concept into hand built ceramic sculptures, using clay’s malleable, tactile qualities to explore gesture, rhythm, and surface. Unlike Gego’s industrial materials, I work with natural forms and glazes, allowing my pieces to grow organically while maintaining the spirit of line and spatial exploration. Circular shapes often emerge—evoking seed pods, spores, nests, and ripples—reflecting cycles of transformation in both material and environment. Each sculpture balances impermanence and permanence, echoing clay’s alchemical shift from soft and pliable to fired and enduring, while activating space much like a drawing expanded into three dimensions.